Taguchi Art Collection + Hirosaki Museum Contemporary ArtHow Did You Come into the World?

2024.9.27 ― 2025.3.9
  • Janaina TSCHÄPE, Xicletoformis Pluralis, 2005Collection of Taguchi Art Collection ©︎Janaina Tschäpe  Courtesy of nca | nichido contemporary art

    Janaina TSCHÄPE, Xicletoformis Pluralis, 2005
    Collection of Taguchi Art Collection ©︎Janaina Tschäpe Courtesy of nca | nichido contemporary art

  • SHIOTA CHiharu, How did you come into the World?, 2012Collection of Taguchi Art Collection and Taguchi Art Foundation ©JASPAR, Tokyo, 2024 and Chiharu Shiota

    SHIOTA CHiharu, How did you come into the World?, 2012
    Collection of Taguchi Art Collection and Taguchi Art Foundation ©JASPAR, Tokyo, 2024 and Chiharu Shiota

  • Left|NARA Yoshitomo, Silent Violence, 1996, Collection of Taguchi Art Collection ©Yoshitomo Nara Right|Recreation of the Rock Café "JAIL HOUSE 33 1/3" installation view, Collection of Yoshitomo Nara Foundation Photo:Keizo Kioku

    Left|NARA Yoshitomo, Silent Violence, 1996, Collection of Taguchi Art Collection ©Yoshitomo Nara
    Right|Recreation of the Rock Café "JAIL HOUSE 33 1/3" installation view, Collection of Yoshitomo Nara Foundation
    Photo:Keizo Kioku

  • KATAYAMA Mari, bystander #014, 2016Collection of Taguchi Art Collection ©︎Mari Katayama

    KATAYAMA Mari, bystander #014, 2016
    Collection of Taguchi Art Collection ©︎Mari Katayama

  • SUGITO Hiroshi, dancing man a (left), b (right), 2007Collection of Taguchi Art Collection and Taguchi Art Foundation © Hiroshi Sugito, Courtesy of Tomio Koyama Gallery Photo: Shigeo Muto

    SUGITO Hiroshi, dancing man a (left), b (right), 2007
    Collection of Taguchi Art Collection and Taguchi Art Foundation © Hiroshi Sugito, Courtesy of Tomio Koyama Gallery Photo: Shigeo Muto

  • TAKAYAMA Akira / Port B, McDonald's Radio University, Frankfurt, 2017Collection of Taguchi Art Collection and Taguchi Art Foundation Photo: Masahiro Hasunuma

    TAKAYAMA Akira / Port B, McDonald's Radio University, Frankfurt, 2017
    Collection of Taguchi Art Collection and Taguchi Art Foundation Photo: Masahiro Hasunuma

  • Mika LOTTENBERG, Cosmic Generator (Palmtree Variant), 2019  Collection of Taguchi Art Collection and Taguchi Art Foundation

    Mika LOTTENBERG, Cosmic Generator (Palmtree Variant), 2019
      Collection of Taguchi Art Collection and Taguchi Art Foundation

  • Maurizio  CATTELAN, Untitled (Elevator), 2001Collection of Taguchi Art Collection and Taguchi Art Foundation  Courtesy Maurizio Cattelan's Archive and Galerie Emmanuel Perrotin Photo:Keizo Kioku

    Maurizio CATTELAN, Untitled (Elevator), 2001
    Collection of Taguchi Art Collection and Taguchi Art Foundation  Courtesy Maurizio Cattelan's Archive and Galerie Emmanuel Perrotin Photo:Keizo Kioku

  • YIN Xiuzhen, Portable City: Hirosaki, 2020Collection of Hirosaki Museum of Ciontemporary Art ©Yin Xiuzhen Photo:Keizo Kioku

    YIN Xiuzhen, Portable City: Hirosaki, 2020
    Collection of Hirosaki Museum of Ciontemporary Art ©Yin Xiuzhen Photo:Keizo Kioku

  • Tuan ANDREW NGUYEN, installation viewCollection of Taguchi Art Collection ©Tuấn Andrew Nguyễn Courtesy of the artist and James Cohan, New YorkPhoto:Keizo Kioku

    Tuan ANDREW NGUYEN, installation view
    Collection of Taguchi Art Collection ©Tuấn Andrew Nguyễn Courtesy of the artist and James Cohan, New York
    Photo:Keizo Kioku

  • SUPERFLEX, It is Not the  End of The World, 2019Collection of Taguchi Art Collection / Collection of Taguchi Art Foundation ©SUPERFLEX Courtesy of The artists and NILS STÆRKPhoto:Keizo Kioku

    SUPERFLEX, It is Not the End of The World, 2019
    Collection of Taguchi Art Collection / Collection of Taguchi Art Foundation ©SUPERFLEX Courtesy of The artists and NILS STÆRK
    Photo:Keizo Kioku

  • installation view Photo:Keizo Kioku

    installation view Photo:Keizo Kioku

—We who are born to be happy

The world today is drenched in conflict and division, from war to fighting closer to home, sparked by fear of things and others beyond our understanding. Traveling and meeting all sorts of people, talking with those whose views differ from our own, are ways for us to bridge such divisions and each find our own happiness, and encountering a safe haven and like-minded souls, and finding our true self, may well be the reason we were born into this world.

Featuring over 40 artists and artist units from across the globe, this exhibition contains works from the Taguchi Art Collection, one of Japan’s leading contemporary art collections, and the holdings of the Hirosaki Museum of Contemporary Art, plus a number of new works.
Mika Rottenberg, who opens portals from familiar spaces into alternative worlds; Tuan Andrew Nguyen, whose videos superimpose disturbing history on lyrical travelogue imagery; the rock cafe and works of Nara Yoshitomo offering a glimpse into a facet of Hirosaki’s past; Katayama Mari, who engages with the world via her body; and the title work by Shiota Chiharu, are joined by a project by Takayama Akira unfolding on the streets, in an exhibition that ponders the nature of living and happiness, through a diverse lineup ranging from painting and photography, to film and performances in lecture format.

Artists

Camille HENROT, YIN Xiuzhen, AES+F, Tracey EMIN,OSGEMEOS, Jacco OLIVIER, Miriam  CAHN, KATAYAMA Mari, Maurizio  CATTELAN, KATO Izumi, KANEUJI Teppei, Maureen GALLACE, Kyun-Chome, Ged QUINN, KUSAMA Yayoi, Tuan Andrew NGUYEN, Oska GUTHEIL, KUDO Makiko, KONOIKE Tomoko, Tomás SARACENO, SHIOTA Chiharu, SUPERFLEX, SUGITO Hiroshi, TAKATA Fuyuhiko, TAKAHASHI Kiyoshi, TAKAYAMA Akira, Janaina TSCHÄPE, CHIBA Masaya, Vajiko CHACHKHIANI, Sebastián DÍAZ MORALES, NARA Yoshitomo, NISHIMURA Yu, Petrit HALILAJ, Ulla VON BRANDENBURG, FUJIKURA Asako, Keegan MCHARGUE, Ad MINOLITI, YANG Haegue, Gabriel  RICO, Pipilotti RIST, Gosette LUBONDO, Mika  ROTTENBERG, WATANABE Go, WADA Reijiro

Video Screening: Hans OP DE BEECK, Yinka Shonibare CBE, MOON Kyungwon & JEON Joonho, YAMASHIRO Chikako

Taguchi Art Collection Website
https://taguchiartcollection.jp/

Exhibition Hilights

1. Access to the multifaceted appeal of community-focused contemporary art

KONOIKE Tomoko, Chapter Two “Giant”,2005
Collection of Taguchi Art Collection / Collection of Taguchi Art Foundation ©TOMOKO KONOIKE Photo:Keizo Kioku

The Taguchi Art Collection contains a diverse selection of some 700 (as of April 2024) artworks by Japanese and overseas artists. Acquired specifically for public display, the collection is composed of not just paintings but works in a variety of other materials and formats, including sculpture, photographs, and video. Another significant feature of the Taguchi Art Collection is its proactive approach to learning, starting with the “Art Delivery” outreach program that takes works from the collection to elementary and middle schools around Japan. In recent years numerous works have been added by artists who specifically address issues in today’s society, testament to the Collection’s openness to a world inhabited by many different kinds of people, and its ongoing evolution. This exhibition will showcase the wide-ranging appeal of the Taguchi Art Collection, alongside works from the Hirosaki Museum of Contemporary Art holdings.

2.McDonald’s Radio University at four Hirosaki McDonald’s restaurants

TAKAYAMA Akira / Port B, McDonald’s Radio University,Tokyo,2023
Collection of Taguchi Art Collection / Collection of Taguchi Art Foundation Photo: Shunji Tanaka

The latest iteration of the McDonald’s Radio University art project by Takayama Akira, founder and head of theater unit Port B, will be held at four McDonald’s restaurants in Hirosaki. McDonald’s Radio University turns the ubiquitous McDonald’s into a place where people can learn about a specialist subject, in the manner of a university, and has been an ongoing project for Takayama at McDonald’s and galleries around the world since 2017. The “professors” are people who have left their home countries for some reason as refugees or migrants, with the “student” audience able to access lectures on their smartphones at the McDonald’s. The idea is that hearing the thoughts and experiences of refugees and migrants from around the world will encourage people of different backgrounds to come together in a single, multicultural community. In addition to new lectures by “professors” Takayama met in Hirosaki, visitors will be able to hear previous lectures from various locations.

TAKAYAMA Akira / Port B McDonald’s Radio University Website

venue:Mcdonald’s Hirosaki Omachi Store(1-17-7, Omachi, Hirosaki, Aomori), 102 Hirosaki Store(5-2-8,Takada, Hirosaki, Aomori), Sakurano Store(3-10-1, Takada, Hirosaki, Aomori) Hirosaki Katada Store(1-2-4, Takada, Hirosaki, Aomori)
Google Map

3. Re-creation of handmade rock cafe that sparked Nara Yoshitomo’s creative caree

Left|NARA Yoshitomo, Silent Violence, 1996, Collection of Taguchi Art Collection ©Yoshitomo Nara
Right|Recreation of the Rock Café “JAIL HOUSE 33 1/3” installation view, Collection of Yoshitomo Nara Foundation
Photo : Keizo Kioku

“How Did You Come into the World?” will feature work by artist and Hirosaki native Nara Yoshitomo, plus a recreation of the “33 1/3” rock cafe Nara built with friends while at high school. The place that opened Nara’s eyes to the vast world outside his own, this cafe, as unveiled last year in “Yoshitomo Nara: A Beginning Place” at the Aomori Museum of Art, was to form the foundation of his creative career. It was also a place that brought people of all ages together through music, in the process fostering enriching, non-hierarchical ways of relating. Here the rock cafe will symbolize the places of belonging/homes that we make with family and friends.

Flyer


Design: KUROMARU Kenichi

The official catalogue “Taguchi Art Collection + Hirosaki Museum Contemporary Art How Did You Come into the World?

The official catalogue will be available early in January at the cafe & shop BRICK.

Price: 1,760 yen (tax included)
Size: 148mm×210mm (112 pages)
Design: KUROMARU Kenichi
Texts:
KIMURA Eriko (Director, Hirosaki Museum of Contemporary Art)
TAGUCHI Hiroshi, TAGUCHI Miwa (Taguchi Art Collection)
SASAKI Yoko (Assistant Curator, Hirosaki Museum of Contemporary Art)
MIYAMOTO Fumi (Learning Curator,Hirosaki Museum of Contemporary Art)

Outline

  • Date: 2024.9.27 (FRI) ―2025. 3.9 (SUN)
    Closed: Tuesdays (except on Feb. 11), from Dec. 26, 2024 to Jan. 1, 2025 and Feb.12
    Opening hours: 9:00-17:00 (Last admission 30 minutes before closing)
    Venue: Hirosaki Museum Contemporary Art and 4 McDonald's in Hirosaki city
  • Organizer: Hirosaki Museum of Contemporary Art
  • Special Cooperation: Taguchi Art Foundation, The Artsplus Institute of Contemporary Arts, Art Office Shiobara
    Cooperation: Port B, MISA SHIN GALLERY, four McDonald’s restaurants in Hirosaki, YAMAHA MUSIC JAPAN CO., LTD.
    Special Sponsor: Starts Corporation Inc.
    Sponsor:OBAYASHI CORPORATION, NTT FACILITIES, INC.
    Under the patronage of: The To-o Nippo Press, THE DAILY TOHOKU SHIMBUN, THE MUTSU SHIMPO Press, Aomori Broadcasting Corporation, Aomori Television Broadcasting Co., Ltd., Asahi Broadcasting Aomori Co., Ltd., Aomori Fm Broadcasting, FM APPLE WAVE, Hirosaki City Board of Education
  • Admission [tax included]:
    Adults 1,500yen (1,400yen)
    University & College Students 1,000yen (900yen)
    * ( ) Price for a group over 20 people
    *Hirosaki residents receive a 500 yen discount off the admission price listed above (not valid in conjunction with any other offers or promotions).
    Free of charge for high school students and under;
    international students in Hirosaki city; citizens of Hirosaki over 65, the disabled and one accompanying attendant

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